Anamorphic Workflow Archive

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Desqueezing Anamorphic Footage In DaVinci Resolve 12

With the ability to utilize the Anamor­phic (4:3)Mode when filming with the Panasonic GH4 and the introduction of some reasonably priced anamorphic lenses and adaptors, shooting in anamorphic or Scope becomes more and more affordable to independent filmmakers. To get this extremely enticing look, however, you should use some true 2x

Anamorphic Workflow For Premiere Pro, FCP 7 & FCP X

Shooting in anamorphic or Scope (as it’s sometimes referred to), has been mostly used on the set of big Hollywood productions by big-name filmmakers such as Steven Spielberg, Quentin Tarantino, Christopher Nolan, J.J Abrams, Wes Craven and many others,  slowly turns into an accessible cinematic technique for indie filmmakers