ARRI Amira Archive

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ARRI AMIRA Can Now Record in ProRes 4444 XQ With SUP 3.0

ARRI recently released SUP 3.0 Firmware Update for the ALEXA Mini, which we reported on here, and now their industry leading documentary AMIRA camera gets  some really exciting new features such as the highest quality ProRes 4444 XQ recording, MPEG-2 422 50Mb/s recording in MXF format for cross-compatibility with

The Essential Things You Need To Know About Using an Easyrig

There are many shooting scenarios and situations where using an Easyrig can be quite beneficial and does make a lot more sense for your project, especially when working with a heavier camera or any other third-party support system. The main idea behind the concept of an Easyrig is that

Basics of Shooting Super Slow Motion Video

Shooting a super-slow motion video can be a real fun, especially if you have a chance to play with one of those fancy Phantom cameras that can shoot some impressive 3,000fps. One can achieve а decent results by also using the overcrank mode of the Red Dragon, Arri Amira

Canon C-Log and Technicolor CineStyle: The Case Against 8-Bit Log

For some time now, cameras the likes of the ARRI Alexa and Blackmagic Cinema Camera have offered their customers higher bit-depths and stronger color-sampling than Canon has put out with their popular EOS line. 10-bit 4:2:2 recording in-camera, 12-bit 4:4:4 recording in-camera, enough latitude and color space

ARRI Announces 4K (UHD) ProRes Upgrade for the AMIRA

It is that time of the year again – IBC 2014 is just around the corner and the world of professional video and lighting equipment is kicking off in high gear. Sony have already bombarded us with an onslaught of new camera releases (probably a record for