Blackmagic Cinema Camera Archive

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How does the BMCC Work as a B-Cam to the RED Epic?

Director/cinematographer Matthew Rosen has completed projects for many high-end commercial clients over the years, and recently completed some camera tests involving two well-respected digital cinema cameras on the market today, the Blackmagic Cinema Camera and the RED EPIC. He attached a PL lens mount to the BMCC

Canon C-Log and Technicolor CineStyle: The Case Against 8-Bit Log

For some time now, cameras the likes of the ARRI Alexa and Blackmagic Cinema Camera have offered their customers higher bit-depths and stronger color-sampling than Canon has put out with their popular EOS line. 10-bit 4:2:2 recording in-camera, 12-bit 4:4:4 recording in-camera, enough latitude and color space