Red camera Archive
Chances are that if you have enough money to spend on a RED Dragon Camera, you’ve saved a little extra for a very high-quality lens to match the beast of a sensor available on board. When it comes to buying a decent set of cinema lenses, you
UK-based RED specialists KipperTie have just announced the Revolva – an intelligent lens mount in both PL or EF, featuring an integrated ND filter wheel that can also facilitate a diffusion cartridge specifically designed for S35 sensor RED DSMC2 cameras. Cinema cameras such as those made by
Being the latest entry in the Red’s professional cinema camera lineup, the RED Raven 4.5K is unarguably the most affordable and lightest RED camera system to date. Actually, it’s a truly revolutionary piece of technology, especially for the price point offering 120fps 4.5K RAW capabilities and stunning 240fps 2K
If you still aren’t completely sold on the recently unveiled Red RAVEN camera, then maybe the following announcement might make you reconsider. After a long night discussion with Jim Jannard, in a post on RED User Jarred Land announced that their latest Raven camera has received an essential sensor
In a previous post we did on David Fincher’s “Gone Girl” – 1st Feature Film Shot entirely in 6K, today we’ll be taking another look at some of the technical specs and information about the post-production process of the highly anticipated thriller. I was quite impressed to find that more than 400 TB
Back in April 2014, LA-based VFX artist, director and cinematographer Phil Holland, was invited by RED Korea, RAPA, and DVInside to conduct a RED workflow workshop in South Korea. The workshop focused on demonstrating the end-to-end UHD 4K Workflow using RED digital cinema cameras such as the RED
