Tag: Redcode

We are certainly not at a loss for cameras these days. The sheer quantity and variety of rivals makes everything a bit more interesting though it can make it …

Looking at what was upgraded with the RED KOMODO-X it seems like the perfect balance between the original KOMODO and the newer DSMC3 camera systems. An upgraded Super 35mm …

RED kept a lot of the great things about the original KOMODO and made some things even better with the release of the KOMODO-X. One of the more significant …

First released back in 2007, the original RED ONE marked a seismic shift in the industry as it became one of the best spec’d and most affordable digital cinema …

Since the introduction of the RED KOMODO 6K we have reached the DSMC3 generation of cinema cameras. The full lineup is starting to take shape with the release of …

Raw files are objectively the best quality you can get from any cinema camera. While the extra processing power is certainly a hurdle, the more annoying problem is that …

There are too many excellent cameras. We have now even broken the usual 4K barriers and have Raw and high frame rate recording in all the top options. Among …

So-called “Pocket Cinema Cameras” were the domain of Blackmagic and DSLR – now even RED has come to play in the ultra-compact space. Super recently, the extreme focus on …

First released in 2007, the original RED ONE Cinema Camera retailed at an at-the-time impressive price of $17,500 for the body only. You were getting high-quality REDCODE RAW recording …

In a year packed with eye-catching cinema camera releases, RED just might be one of the most intriguing and most talked about with the KOMODO 6K. It’s a RED …

Without any surprises and as expected, today Red officially announced the latest entry in their professional cinema camera lineup – the RED RAVEN. The camera boasts similar capabilities of the …