Besides the numerous onboard recording options and codecs the Sony FS7 provides such as XAVC (up to 4K at 60p), MPEG2 422(HD) and the recently added ProRes HQ & 422 (HD), the camera is also capable of outputting 4K DCI (up to 60p) and 2K (up to 240p) Raw video feed that can be captured on an external recorder for the highest possible image quality when required. However, the DNG Raw files recorded by the Odyssey 7Q from the FS7 may introduce a magenta cast and other undesirable colorimetry artefacts when imported in DaVinci Resolve. Furthermore, the material recorded using the RAW to ProRes functionality of the 7Q … Continue reading Sony FS7 and Odyssey 7Q DaVinci Resolve Workflow