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Five Neat Color Grading Tricks in Premiere Pro CC 2019

Along with the official launch of Premiere Rush CC two weeks ago, Adobe also released a significant update referring to all Creative Cloud applications, including the full-fledged Premiere Pro CC. Other than improved platform stability and the plethora of all-new video and audio editing features, Adobe has overhauled the

Advanced V-Log Color Grading Workflow in Premiere Pro CC

Though shooting video with a log picture profile certainly has its perks, processing your log footage can be a pretty daunting experience. When filming with a log profile – such as Panasonic’s V-Log – you’re able to produce footage with high dynamic range and improved color fidelity.

DaVinci Resolve 14 HDR Color Grading Workflow

With a powerful coloring grading platform such as DaVinci Resolve 14, achieving the visual aesthetics you want is now easier than ever before. What’s more, you can even emulate a high dynamic range look without even using a camera that has HDR capabilities. Apparently, this innovative concept

Faster Color Grading with Groups in DaVinci Resolve 14

Even though DaVinci Resolve is relatively new to the line of non-linear editing programs, the platform has become a proven powerhouse for video editing. In fact, it’s reached a high enough potential to the point that an increasing number of seasoned professionals have found themselves switching from

Color Grading Workflow with LUTs in Premiere Pro CC

With the vast improvements added to color grading applications in the recent years (from the introduction of Adobe’s Lumetri Color panel in Premiere Pro to the fast-growing number of features implemented in DaVinci Resolve), utilizing LUTs has become a common practice for many seasoned colorists and enthusiasts

3 Color Grading Ideas to Try in VSDC Free Video Editor

In the world of video editing, gradient feature can be compared to a magic stick. The more you practice color grading, the more it becomes clear: even a poorly recorded footage can become a masterpiece if you know the right buttons. There have been a few tutorials published

How to Edit and Color Grade ProRes RAW Footage in FCPX

As you already know, ProRes RAW is Apple’s latest addition to the ProRes family of video codecs, promising to deliver RAW-like flexibility with the speedy performance creative professionals have come to know and love for years with the rest ProRes flavors. Due to the fact that the

How to Color Grade S-Log 3 Footage in FCP X

Despite its flat color and contrast aesthetic, Sony’s proprietary picture profile S-Log 3 is well known for its flexibility when it comes to color grading. While the profile definitely has certain advantages, its main difficulty is that it may be tricky to actually work with, especially for