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VisionColor Lets You Use BMDFilm Without DaVinci Resolve

It’s not uncommon for an aspiring colourist to have cut their teeth with the processing of still photography using the likes of Adobe’s CameraRAW, Lightroom, and Photoshop applications. Similarly, for VFX artists looking to begin proper grading, a familiarity with After Effects is often the case. For

Colour Grading New Sony FS7 S-Log3 Footage

Modern digital camera and sensor technology have reached the point where now everyone can afford to shoot in high-quality codecs, such as the Raw and ProRes recording (now in all flavours) even on a $1,000 camera like the Blackmagic Pocket Cinema Camera. The sub-$10K market segment is extremely competitive with the

GH4 4K Color Correction In Adobe Camera Raw – Video Tutorial

For the photographers out there, you’re probably familiar with Adobe Camera Raw. Others, who come from mainly a video background, maybe a bit unfamiliar with the program. Adobe Camera Raw, or ACR as it’s commonly abbreviated in the photography/video world has recently been upgraded to support various

How to Edit Blackmagic RAW in Premiere Pro CC

The ultimate control over your images and the flexibility that a Raw codec gives you in post are undeniable advantages. Blackmagic RAW is no exception to that rule. The only downside, however, is that in order to process Blackmagic Raw, you need to use DaVinci Resolve exclusively

Shooting Slog 2 vs CINE4 on the Sony A7III

Log files are known to offer more flexibility in post-production as the use of a logarithmic compression allows camera makers to squeeze more information inside the same bitrate. These also provide major recovery in the highlights giving you overall a superior dynamic range. But all of this,