BlackMagic Design Archive
For NAB 2019, Frame.io recently shared some pretty big news regarding their partnership with Blackmagic Design. In a recent announcement from Las Vegas, Frame.io said their platform is now natively integrated into DaVinci Resolve 16 Studio. Frame.io’s latest integration is thorough – it is built entirely on
Blackmagic Design is going into 8K territory with the announcement of a their HyperDeck Extreme 8K HDR a new innovative broadcast deck with advanced H.265 8K recording combined with touch screen user interface and traditional broadcast deck controls. The move towards 8K, at least on the broadcast
As teased earlier last week, Blackmagic Design has just officially introduced DaVinci Resolve 16 – a major update that adds a revolutionary new cut page specifically designed for editors that need to work quickly and on tight deadlines. In addition, the professional post-production suite now includes dozens
Blackmagic Design just announced the Blackmagic Pocket Battery Grip, a new battery adapter that features a slide out tray designed to hold 2x Sony NP-F L-series batteries. This allows you to power external SSDs via the USB-C or run the camera for over 2 hours of record
Blackmagic Design has just announced that their recently announced Blackmagic URSA Mini Pro 4.6K G2 camera is now shipping. I know this may be hard to believe and lots of you wish that this was relating to the BMPCC 4K (which is yet to ship in large
The Z Cam E2 – a 4K camera with interchangeable, high frame rate recording, 10-bit, modular design with ProRes inside. Sounds good, so why have we never heard of it? Z Cam are a Chinese VR company who launched the Z Cam E1 in 2015 and again,
Tom Antos is one of my favourite YouTube’ing filmmakers. Maybe it is the accent? He is also a Blackmagic fan and since he shoots with various different Blackmagic cameras he will regularly have to match the footage between them. Even though the process may initially seem simple
The first official footage from the yet-to-be-released Blackmagic URSA Mini Pro G2 camera has emerged courtesy of Australia-based cinematographer Garth de Bruno Austin. The sample footage, which you can see below, contains shots filmed at different resolutions including full sensor 4.6K at 120fps as well as cropped
Blackmagic Design have just released the latest Resolve 15.3 update to their popular editing, grading, VFX and audio post-production suite just a couple of days after the BMPCC 4K got Blackmagic RAW with Camera Update 6.2. Blackmagic DaVinci Resolve 15.3 Update gets support for the newly announced
The latest Blackmagic Camera Update 6.2 adds support for the much-awaited Blackmagic RAW lossless format on the Blackmagic Pocket Cinema Camera 4K! Ever since since Blackmagic Raw was added to the URSA Mini Pro last Fall (see our IBC 2018 coverage for more info), it was just
Blackmagic Design today announced URSA Mini Pro 4.6K G2, a second generation URSA Mini Pro camera featuring fully redesigned electronics and a new Super 35mm 4.6K image sensor with 15 stops of dynamic range that combine to support high frame rate shooting at up to 300 frames per second. In addition, URSA
One of the nice features that sets apart the Blackmagic Pocket Cinema Camera 4K from the other competitors is its audio inputs. To be fair, it’s hard to define a real competitor for a camera that markets as a Cinema Camera, and as such prone to some
Blackmagic Design have just released DaVinci Resolve 15.2.4 update, which improves performance of video playback on the edit page, as well as multi-cam playback. In DaVinci Resolve 15.2.4, Blackmagic Design engineers have also improved H.264 and H.265 encoding on MacOS (Fuji XT3 shooters will love this). In
Colour correction was always considered to be a specialist domain until recent years when it not only became accessible to all users with an NLE but essential for working with modern digital cameras. One of the most powerful and best priced tools for basic and advanced colour
Blackmagic Design just released Camera Update 6.1 for the Blackmagic Pocket Cinema Camera 4K. Camera Update 6.1 adds pixel remapping and 2:1 monitoring frame guides to the Blackmagic Pocket Cinema Camera 4K, along with improvements to the media formatting interface, better audio monitoring and cleaner recording from
Blackmagic Design have been shaking up the industry for a few years now with the innovative designs and high-end specs of their cameras. Kinefinity is still a newcomer to the market but they too have been making waves with their cinema cameras that are reminiscent of Red’s
3-axis gimbals are an incredibly popular tool for filmmakers looking to achieve smooth movement with their camera but while offering a lot they are rather heavy and carrying them for a long period of time is tough. Here is a simple idea to help take some of
BSC Expo, the premier UK trade show for the latest cine and TV production equipment, is happening later this week on 1st and 2nd February at the Battersea Evolution exhibition space in London. I, just like many of you, will be roaming the floor in search of
Blackmagic Design are well-known for their fantastic low-budget cameras that act as an excellent alternative to considerably more expensive rivals from companies like ARRI and RED, all without compromising on video quality and production performance. One of the Blackmagic’s most enticing offerings that adheres to this sentiment is
Blackmagic Design have released a new update to their popular grading/editing/VFX platform DaVinci Resolve. In Blackmagic DaVinci Resolve 15.2.2 update users get to benefit from improvements in the viewer performance on Windows systems with Intel GPUs, and better multi-cam performance when using time of day timecode. The
