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A Quick Look at the OWC Envoy Pro Mini USB 3.0 SSD

The Envoy Pro Mini from revered SSD maker and Mac performance upgrade retailer OWC is an extremely powerful and fast SSD, despite its modest physical dimensions. Even though at first glance the Envoy Mini Pro looks just like a regular thumb flash drive, it is an extremely powerful and fast

The Blackmagic Design 3G Mini Converters Are Back at Only $195

Back by popular demand – Blackmagic Design brings back the world’s best SD and HD broadcast quality converters available now for only $195/£129! If you remember, last Summer, Blackmagic had a limited time promotion with 50% off on the Pocket Cinema camera, which was a huge success. Although

Premiere Pro To DaVinci Resolve Round Trip Workflow

If you are not too keen on the idea of editing, colour correcting, finishing and delivering your projects by using only one platform such as the recently-released DaVinci Resolve 12 as the ultimate all-in-one solution, you can still stick to your favourite editing NLE of choice whether it’s a Premiere Pro or

Blackmagic DaVinci Resolve 11.3 Adds Sony XAVC-Intra Support

Blackmagic Design recently released the latest update to their premier colour grading software DaVinci Resolve 11.3. The latest update includes support for the flagship ARRI Alexa 65 and Panasonic V35 IDT cameras, new ACES 1.0 support, DNxHR MXF and Sony XAVC-Intra encoding enhancements as well as general

The Next Generation High-Efficiency Video Coding – HEVC (H.265) Overview

Even the most outraged opponents of the 4K acquisition hardly could deny the indisputable assets the format has brought to the table in today’s production environment. Better overall image quality, more pixel density, finer detail, greater texture, superb colour rendition, more flexibility in post-production workflows, etc. In short, the higher resolution images are simply better. However, the

Canon C-Log and Technicolor CineStyle: The Case Against 8-Bit Log

For some time now, cameras the likes of the ARRI Alexa and Blackmagic Cinema Camera have offered their customers higher bit-depths and stronger color-sampling than Canon has put out with their popular EOS line. 10-bit 4:2:2 recording in-camera, 12-bit 4:4:4 recording in-camera, enough latitude and color space

Fast and Easy Blackmagic Raw Editing Workflow in Premiere Pro CC

Despite the more intensive system and storage requirements, shooting in raw gives us a ton of options, the most flexibility and the highest possible image quality out of the camera. It is a significant workflow alternative, especially if you want to future-proof your material and it is the best way to