6K Camera Archive

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RED Komodo 6K Sensor Size Revealed

One of the most burning questions that those interested in the upcoming RED Komodo 6K camera often ask is how big is the Komodo 6K sensor? Is it full-frame, is it Super35, or is it something in between. And just days ago, we got our answer. RED

RED Hydrogen Cancelled, RED Founder Jim Jannard Retires

The smart “holographic” device that was supposed to revolutionize the handheld devices space is sadly no longer. The RED Hydrogen is now officially cancelled as RED founder and self-made billionaire Jim Jannard announces retirement. At 70, Jim Jannard has accomplished what most of us would only dream

Canon C200 vs BMPCC 6K Side-by-Side Comparison

A nice and beefy lineup of cameras seems to populate the horizon while myriads of filmmakers and DOPs approaching productions are having now more options than ever, at least in the indie scene. Despite the fact that most blockbusters and big productions are still being shot on

Use PL Mount Lenses on BMPCC 6K With This Adapter

The Blackmagic Pocket 6K camera came out of nowhere, and while hugely being packed with some impressive specs, the EF native mount may be a bit problematic for situations where you want to use more cinema style PL lenses. Luckily, Wooden Camera, a company no stranger to

Canon C500 Mark II Hands On and First Look

Canon has always been a brand well known in the filmmaking community. Well before the DSLR revolution, launched by Canon itself with the 5D Mark II (a camera that brought many newcomers in the video production field), we had a lot of camcorders and cameras made by

Quick Tip: Shooting 6K Video on the Panasonic S1

Nope, that’s not a gimmick nor is it another notorious hack where you need to install some buggy third-party software to get this up and running. In fact, it’s a genuinely legit way to enable 6K video recording on your Panasonic S1. Surprisingly, the function is already

Panasonic S1H Hands-On + Sample Footage

In the last year, a lot of rumors have been circulating about Panasonic being ready to unveil a completely new mirrorless camera, something more focused on video. The rumors were somehow confirmed when a few months ago Panasonic itself teased the existence of such a device. Finally,

Vocas Accessories for the Canon C500 Mark II

Among many other new products for IBC 2019, Vocas introduces a new lineup of accessories for the brand new Canon C500 Mark II camera. Announced ahead of IBC 2019, the long-overdue Canon C500 Mark II brings a 5.9K full-frame sensor, modularity, and internal Cinema Raw Light recording

Sony PXW-FX9 Full-Frame Camera with 6K Sensor Announced

It’s finally here! The new Sony PWX-FX9 gets a 6K full-frame sensor, redesigned high resolution EVF, Electronic Variable ND, Dual Native ISO, and Fast Hybrid AF! Here is a summary of what’s new in the FX9. Borrowing key imaging technologies from the top dog VENICE cinema camera

Panasonic S1H 6K Full-Frame Footage, Price, Specs Revealed

Just hours ago, Panasonic held a press conference in the heart of Hollywood to officially launch the Panasonic S1H, revealing key specifications and further details for their top echelon 6K full-frame mirrorless camera geared towards Hollywood and indie film productions. As most you recall, Panasonic actually did

TILTA Announces Camera Cage for Z-CAM

Popular accessory maker Tilta just announced their new camera cage for the Z-CAM. The tiny powerhouse of a camera recently got a little brother – the Z-CAM E2C, which is a more stripped down-version (at least feature-wise) with a super-affordable $799 price tag, making it easily the

Sony VENICE Firmware v5.0 Adds 6K High Frame Rates

For Cine Gear 2019, Sony has announced the details for the next firmware update to their top-tier large format digital cinema camera. Sony VENICE firmware v5.0 will give cinematographers the ability to use additional High Frame Rate (HFR) capabilities in 6K, new recording flavours for ProRes in

Teradek Bolt for Sony VENICE Now Shipping!

Teradek have been killing it in the wireless video transmission field with their Bolt series receivers and transmitters, which you can see on just about any film or TV production regardless of budget. Right now, I am 2nd assisting on a feature film in Eastern Europe (NOT