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Blackmagic Design Announces New UltraStudio 4K Mini

Blackmagic Design has announced the much-awaited UltraStudio 4K Mini, a new capture and playback solution for Thunderbolt 3 computers with 12G‑SDI, HDMI, analog video and audio connections that lets users build solutions for editing, colour grading, live broadcast graphics, archiving from traditional broadcast decks and live internet

Blackmagic DaVinci Resolve 16.1 Released

During the latest Blackmagic Design livestream just days ago, we got to see the new Blackmagic Pocket 6K EF, which you you can read more about in this post here, and also the latest updates to DaVinci Resolve 16. While Blackmagic Design is announcing the final release

ProRes Raw Gets Native Support in SCRATCH and Baselight v5.2

Ever since its worldwide unveiling a year ago, ProRes Raw and industry-wide adoption has been one of the most discussed topics in the post-production world. NAB 2019 came and went by very quickly, but in the midst of lenses and camera announcements, a few post-production companies –

Best Export Settings in After Effects CC

Most of the works we do nowadays require a minimum of compositing or visual effects. No doubt the most common software for this kind of job is After Effects. Graphics, animations, it’s a tool good for many tasks, and although the integration between elements of the Adobe

MASV.io 3.0 Update Expands Global Network for Large File Transfers

MASV.io (massive.io), the world’s leading provider of browser-based, accelerated file transfer technology, today announced a major product expansion dubbed MASV 3.0 that seeks to eliminate the need for video and creative professionals to ship hard drives cross-country or internationally. Sending huge 10, 20GB files of 4K, UHD

Easy Text Tracking in After Effects CC

Text tracking is a conventional technique to make a non-diegetic element belong as if it’s an integral part of your edit. This can be seen in films such as those directed by David Fincher, or in the opening titles to movies like Easy A. Not only that,

ProRes RAW vs. REDCODE RAW – Which One is Better?

Less than three months ago, Apple had stunned the filmmaking community with the introduction of their latest proprietary codec ProRes RAW, promising to deliver the flexibility of Raw while keeping file sizes as low as possible. Although the codec’s availability is still limited to a narrow selection