Color Grading Archive
During the latest Blackmagic Design livestream just days ago, we got to see the new Blackmagic Pocket 6K EF, which you you can read more about in this post here, and also the latest updates to DaVinci Resolve 16. While Blackmagic Design is announcing the final release
When it comes to editing inside of DaVinci Resolve, a lot of computer power is required to get a smooth editing experience. Even though having a fast editing machine is important, beginner filmmakers may not have the luxury of editing on pro-level workstations or laptops. In fact,
The ultimate control over your images and the flexibility that a Raw codec gives you in post are undeniable advantages. Blackmagic RAW is no exception to that rule. The only downside, however, is that in order to process Blackmagic Raw, you need to use DaVinci Resolve exclusively
While we wait for the A7SIII to break the surface and appear like some white whale we are all expecting, we have to live with the A7III and the files it gives us. Don’t get me wrong, though, the A7III is still a great camera, and it
Well, here it is! The biggest video industry education event of the year is now LIVE! For those of you who still might not be aware, the 2019 Complete Video Creators Bundle is an exclusive collection of top video tools and resources put together by some of
Getting your color and exposure right can be really challenging, especially if you are tight for time. Mixed light sources, changing color temperatures, the hundreds of permutation of camera settings and picture profiles that are now available and the inbuilt ‘color-science’ of your chosen camera all add
Just a week ahead of Cine Gear Expo, Blackmagic Design just released Beta 3 of their newly updated DaVinci Resolve 16 and DaVinci Resolve 16 Studio. Beta 3 update comes packed with hundreds of performance and stability enhancements based on user feedback. DaVinci Resolve Beta 3 features
NAB has come and gone, all the hype and the flood of presentations, dinners and keynotes are gone. While the dust settles down, we can take a look back at some of the most interesting news that came out of it. Blackmagic Design went on the path
ARRI Alexa is one of the most desired cameras on the planet. Be it a Mini, LF or whatever version, many filmmakers are dreaming of working with such a beast, but unfortunately for many of us that will stay a dream for a while. In the meantime,
As teased earlier last week, Blackmagic Design has just officially introduced DaVinci Resolve 16 – a major update that adds a revolutionary new cut page specifically designed for editors that need to work quickly and on tight deadlines. In addition, the professional post-production suite now includes dozens
Log files are known to offer more flexibility in post-production as the use of a logarithmic compression allows camera makers to squeeze more information inside the same bitrate. These also provide major recovery in the highlights giving you overall a superior dynamic range. But all of this,
We risked missing the airing of the Best Cinematographer of the year in this annual Academy Awards, but luckily this wasn’t the case. The Oscar ceremony confirmed one thing that all those who work in the field already know, and that’s the fact that the ARRI ALEXA
Blackmagic Design have just released the latest Resolve 15.3 update to their popular editing, grading, VFX and audio post-production suite just a couple of days after the BMPCC 4K got Blackmagic RAW with Camera Update 6.2. Blackmagic DaVinci Resolve 15.3 Update gets support for the newly announced
This is just one last reminder that the first for the year Resolve Course Bundle Sale is coming to an end in less than 24 hours! Yeap, this is your last chance to grab the all-new Ultimate DaVinci Resolve Course Bundle packed with DaVinci Resolve 15 Grading &
We all know how powerful and versatile color grading software DaVinci Resolve could be. Getting to grips with the platform while learning the ins and outs is a whole different story though. So, if you want to up the ante and take your post-production game to the
Blackmagic Design have just released DaVinci Resolve 15.2.4 update, which improves performance of video playback on the edit page, as well as multi-cam playback. In DaVinci Resolve 15.2.4, Blackmagic Design engineers have also improved H.264 and H.265 encoding on MacOS (Fuji XT3 shooters will love this). In
Colour correction was always considered to be a specialist domain until recent years when it not only became accessible to all users with an NLE but essential for working with modern digital cameras. One of the most powerful and best priced tools for basic and advanced colour
In the early days of DSLR revolution, color grading was not such a common word as you may think. Indeed, higher budget productions had been working for decades with digital color correction, but at the time most cameras used to shoot in a compressed format and a
Just in time for the Christmas holiday season, popular grading tool FilmConvert have teamed up with market leading video app for iOS FiLMiC Pro to announce that FilmConvert has just released updated profiles for their LogV2 implementation on iPhone XS/XS Max/XR smartphones. FiLMiC LogV2 and FilmConvert make
Most novices who have tried to stabilize their footage in DaVinci Resolve 15 for the first time usually end up with some mixed results. In fact, many first-time-users may not realize that Resolve provides several different modes of stabilization that are way more advanced than what one
