Color Grading Archive

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DaVinci Resolve 16.1 Public Beta 2 is Now Available

Blackmagic Design continues to improve the overall functionality of DaVinci Resolve 16 while collaborating closely with a selected group of avid users who provide extensive feedback regarding the platform on a regular basis. In fact, the latest Public Beta 2 version of the software that is now

Blackmagic DaVinci Resolve 16.1 Released

During the latest Blackmagic Design livestream just days ago, we got to see the new Blackmagic Pocket 6K EF, which you you can read more about in this post here, and also the latest updates to DaVinci Resolve 16. While Blackmagic Design is announcing the final release

How to Edit Blackmagic RAW in Premiere Pro CC

The ultimate control over your images and the flexibility that a Raw codec gives you in post are undeniable advantages. Blackmagic RAW is no exception to that rule. The only downside, however, is that in order to process Blackmagic Raw, you need to use DaVinci Resolve exclusively

How to Get the Perfect Color and Skin Tones in Your Videos

Getting your color and exposure right can be really challenging, especially if you are tight for time. Mixed light sources, changing color temperatures, the hundreds of permutation of camera settings and picture profiles that are now available and the inbuilt ‘color-science’ of your chosen camera all add

Blackmagic DaVinci Resolve 16 Beta 3 Released

Just a week ahead of Cine Gear Expo, Blackmagic Design just released Beta 3 of their newly updated DaVinci Resolve 16 and DaVinci Resolve 16 Studio. Beta 3 update comes packed with hundreds of performance and stability enhancements based on user feedback. DaVinci Resolve Beta 3 features

NAB 2019: DaVinci Resolve 16 Officially Announced

As teased earlier last week, Blackmagic Design has just officially introduced DaVinci Resolve 16 – a major update that adds a revolutionary new cut page specifically designed for editors that need to work quickly and on tight deadlines. In addition, the professional post-production suite now includes dozens

Shooting Slog 2 vs CINE4 on the Sony A7III

Log files are known to offer more flexibility in post-production as the use of a logarithmic compression allows camera makers to squeeze more information inside the same bitrate. These also provide major recovery in the highlights giving you overall a superior dynamic range. But all of this,

Blackmagic DaVinci Resolve 15.3 Update Released

Blackmagic Design have just released the latest Resolve 15.3 update to their popular editing, grading, VFX and audio post-production suite just a couple of days after the BMPCC 4K got Blackmagic RAW with Camera Update 6.2. Blackmagic DaVinci Resolve 15.3 Update gets support for the newly announced

How to Read Color Scopes in DaVinci Resolve 15

Colour correction was always considered to be a specialist domain until recent years when it not only became accessible to all users with an NLE but essential for working with modern digital cameras. One of the most powerful and best priced tools for basic and advanced colour