Color Grading Archive
If there was a faster way to get cinematic colors in your editing you would want to know, right? One way to do that in DaVinci Resolve is by making use of the LAB color space. It is a lesser-used color space in video editing and can
DaVinci Resolve has been moving by leap and bounds with a multitude of new capabilities added over time. It started out as a pure color grading software and then it slowly transformed into a complete post-production suite, expanding from editing and grading to compositing in Fusion and
The market for Large Format, high-end cameras has grown recently with new offerings from Canon, Sony, and ARRI. There is no denying the stunning results a skilled cinematographer can acquire with these remarkable LF cameras. LF and Full Frame quickly became ‘the’ quality standard for big-budget films,
Popular colour grading plugin FilmConvert has added the Sony VENICE camera pack to their growing list of supported cameras. FilmConvert already support major brands such as ARRI, RED, Canon, Sony, and other younger camera makers such as DJI and Kinefinity with loads more to be added in
Blackamgic Design just released a new update to their industry-standard colour grading and VFX suite DaVinci Resolve. The new DaVinci Resolve 16.1.2 update, is loaded with new functionality and features as well as important bug fixes prompted by user feedback. Blackmagic Design DaVinci Resolve 16.1.2 adds new
We’ve been used to big keynotes and “one more thing…” revelations by Apple, so it may seem strange to have such an important product come to life with a simple website refresh. Luckily for us, there’s the Internet ready to take on the mantle and keep the
After the huge success of the Loupedeck and Loupedeck+ editing consoles, Loupedeck are back with another enticing offer for all creative professionals working on the go. The brand new Loupedeck Creative Tool is a next-generation video editing console designed to deliver a premium editing experience in virtually
Once upon a time film editors used to cut footage while standing at a table, the Moviola. Scissors, glue, and tape created the magic we used to see in theaters. Fast forward a few decades and we now cut, ingest and color through digital media, clicking with
Blackmagic Design continues to improve the overall functionality of DaVinci Resolve 16 while collaborating closely with a selected group of avid users who provide extensive feedback regarding the platform on a regular basis. In fact, the latest Public Beta 2 version of the software that is now
During the latest Blackmagic Design livestream just days ago, we got to see the new Blackmagic Pocket 6K EF, which you you can read more about in this post here, and also the latest updates to DaVinci Resolve 16. While Blackmagic Design is announcing the final release
When it comes to editing inside of DaVinci Resolve, a lot of computer power is required to get a smooth editing experience. Even though having a fast editing machine is important, beginner filmmakers may not have the luxury of editing on pro-level workstations or laptops. In fact,
The ultimate control over your images and the flexibility that a Raw codec gives you in post are undeniable advantages. Blackmagic RAW is no exception to that rule. The only downside, however, is that in order to process Blackmagic Raw, you need to use DaVinci Resolve exclusively
While we wait for the A7SIII to break the surface and appear like some white whale we are all expecting, we have to live with the A7III and the files it gives us. Don’t get me wrong, though, the A7III is still a great camera, and it
Well, here it is! The biggest video industry education event of the year is now LIVE! For those of you who still might not be aware, the 2019 Complete Video Creators Bundle is an exclusive collection of top video tools and resources put together by some of
Getting your color and exposure right can be really challenging, especially if you are tight for time. Mixed light sources, changing color temperatures, the hundreds of permutation of camera settings and picture profiles that are now available and the inbuilt ‘color-science’ of your chosen camera all add
Just a week ahead of Cine Gear Expo, Blackmagic Design just released Beta 3 of their newly updated DaVinci Resolve 16 and DaVinci Resolve 16 Studio. Beta 3 update comes packed with hundreds of performance and stability enhancements based on user feedback. DaVinci Resolve Beta 3 features
NAB has come and gone, all the hype and the flood of presentations, dinners and keynotes are gone. While the dust settles down, we can take a look back at some of the most interesting news that came out of it. Blackmagic Design went on the path
ARRI Alexa is one of the most desired cameras on the planet. Be it a Mini, LF or whatever version, many filmmakers are dreaming of working with such a beast, but unfortunately for many of us that will stay a dream for a while. In the meantime,
As teased earlier last week, Blackmagic Design has just officially introduced DaVinci Resolve 16 – a major update that adds a revolutionary new cut page specifically designed for editors that need to work quickly and on tight deadlines. In addition, the professional post-production suite now includes dozens
Log files are known to offer more flexibility in post-production as the use of a logarithmic compression allows camera makers to squeeze more information inside the same bitrate. These also provide major recovery in the highlights giving you overall a superior dynamic range. But all of this,
