ARRI Archive
October is here and it feels like Oscar-buzz season is officially open. Studios and mini-majors will be soon start releasing their Oscar hopefuls in the cinemas culminating with the highly-anticipated premieres of some of the biggest films of the year in December. Universal is banking on Sam
New for IBC 2019, ARRI unveils Orbiter – a versatile, ultra-bright LED with inter-changeable optics, state-of-the-art ARRI Spectra six-color light engine, detachable control panel, advanced connectivity and tons more! Bringing next-level brightness and tune-ability to their lighting arsenal, the ARRI say Orbiter is “the most technologically advanced
Blackmagic Design know how to keep the boat rocking, no doubt about it. A steady flow of software and hardware innovations on different levels has always kept them on top of the news feed despite the stiff competition and all obstacles the company came across along the
ARRI has announced the latest addition to their esteemed Camera Stabilizer System range – the new Digital Encoder Head, DEH-1. Based on a Cartoni tripod fluid head, specifically engineered and designed to operate ARRI’s remote-controlled Stabilized Remote Head (SRH-3), the DEH-1 is a fluid head that interfaces
German battery maker bebob have a new, powerful CUBE 1200 high-voltage battery that you can power your ARRI Skypanel or ALEXA cameras for hours. When it comes to big productions using powerful LED lights and cine cameras you need powerful batteries to keep the lights and cameras
ARRI has released a new firmware update for their Stellar lighting control app for Android and iOS devices. ARRI Stellar Firmware Update 1.5 adds major new features such as LiveSync, which enables users using separate devices to collaborate in real-time and work together in complex lighting setups from
Apparently, DJI now offers full-service aerial cinematography production with its custom drone for cinema cameras. And no one knows about it. Called, the DJI STORM (offered by DJI Studio), it seems that DJI have setup an entirely new division doing exactly what some of their high-end customers
We have seen so many camera comparison tests lately. Apparently, the BMPCC 4K is a mandatory contender in the majority of them, but this time we have a chance to see the Pocket 4K stacking up against the very best. Mateo Bertolli has kindly uploaded some nice
In response to the increasing power consumption by cameras prompted by the need for more internal processing, established 12 Volt systems can no longer cope with the demand for more juice according to ARRI. In order to meet the increasing power demands of camera and lighting systems
We all kinda knew this was bound to happen at some point sooner or later. Well, it happened sooner than expected to some – ARRI just announced the ALEXA MINI LF and expanded their large format camera family by putting the full-frame+ sensor from the ALEXA LF
ARRI have announced a new WVR-1s compact wireless video receiver that has been specially designed to be used hand-held focus pullers and as a companion to compact handheld director monitors. With the announcement of the WVR-1s ARRI expands its Wireless Video System – WVS range and strengthens
Comparing the ARRI ALEXA Mini and the Canon C200 might seem a little unfair given the massive price difference but in my view, it is actually a really interesting test. They have a similar size and weight bodies, similar form factors and are both promoted towards solo
ARRI have announced the immediate release of Software Update Package LF SUP 4.0 for the ALEXA LF camera. This firmware update provides significant new features for anamorphic shooting, advanced features such as improved dynamic defect pixel correction, compatibility with ARRI LBUS accessories, and important bug fixes. Rental
ARRI and Angelbird have just come up with another enticing product for seasoned professionals predominately shooting with the ARRI AMIRA and ALEXA Mini cameras. The ARRI Edition AV PRO AR 256 CFast 2.0 card has been designed and certified for use with these specific models and can be utilized
ARRI has announced the availability of the new Software Update Package LF SUP 3.0 for their top-dog ARRI ALEXA LF 4K+ camera. LF SUP 3.0 provides new features, as well support for new hardware, such as the brand new ALEXA EVF-2, and includes important bug fixes. Although
Now that the new “true 4K” ARRI Alexa LF digital cinema camera is shipping to rental houses and production companies we are starting to see some tests and footage shot with the newest “large format” beast that ARRI unveiled earlier in the year at the BSC Expo
So, you may recall the ARRI CPO program that ARRI launched a few months back to give up and coming DPs an opportunity to own arguably the measuring stick camera in the world of cinematography – the ALEXA Classic and some of its later models all while
In mainstream professional filmmaking, RED and ARRI are inarguably synonymous when it comes to high-end cinema camera systems. Back in March, however, Chinese-based budget camera maker Kinefinity introduced the MAVO, a Super 35mm cinema camera aimed to provide professional grade footage at a fraction of the cost
ARRI unveiled the ALEXA LF at this year’s BSC Expo in London in addition to a brand new lineup of large format cine lenses known as the ARRI Signature Primes. I remember these two announcements caused quite a stir and were the talk of town during the
I bet a lot of you are familiar with the Zeiss LWZ.3 or as it is probably more widely known – the Zeiss 21-100mm T2.9-3.9 lightweight zoom. For many documentary shooters equipped with a Sony FS7, C300 II or ARRI AMIRA, the Zeiss LWZ.3 is a standard
