Tag: ARRI
ARRI makes the best cameras. That’s not even hyperbole. ARRI’s cinema cameras have long been the choice of professional DPs who are working on award-winning films in nearly every …
ARRI has been dominant in the world of cinema cameras for decades. Their experience and desire to build class-leading equipment is nearly unmatched and proven with their products. The …
The ARRI comparisons continue! Recently, we checked out the main differences between the ALEXA 35 and the ALEXA Mini LF – the two top choices in ARRI’s current cinema …
As 2022 winds down to a close, LensRentals has released its annual list of the most popular cameras and lenses that filmmakers have rented. For the second year running, …
While ARRI has been dominating film sets with the ALEXA line there has been a push towards the larger-format ALEXA LF series in recent years – as evidenced by …
Almost every week I point out that there are an unbelievable amount of excellent cameras out there covering a wide range of price points. Why not take a bunch …
Something ARRI has never been known for is pushing the upper limits of resolution. They are perfectly content to focus on color rendering and dynamic range instead of cramming …
When we talk about ARRI cameras we almost always talk about the ALEXA. There are many flavors of ALEXA, including the Mini, 35, Classic, etc., but there was one …
The ARRI ALEXA Classic is having a moment. We’ve been covering it plenty as well, especially the adventures of FoxTailWhipz as he has been fixing them up and talking …
A big part of what makes the ARRI ALEXA such a well-loved camera system is the color science. For decades they have been almost unmatched in this area. As …
Lately it seems like the ARRI ALEXA Classic is making a comeback with independent filmmakers. We have covered using it, purchasing it, and even comparing it to modern cinema …
It doesn’t seem like we will ever escape the ARRI vs RED debate. I’m not complaining though. ARRI and RED being competitive is good for the industry and should …
It isn’t often that ARRI announces a new camera system but everyone needs to pay attention. The ALEXA 35 marks a generational leap in functionality and image quality for …
The original ARRI ALEXA is still a beast of a camera and that is proven by how it currently goes for 5 or 6 thousand dollars in auctions. Or, …
ARRI is using smarter, computer-controlled lighting to give filmmakers even more capabilities. And with the issuing of an update to the ARRI Lighting OS (LiOS2), this capability will enable …
It’s never the gear that makes the movie. Right? Maybe a little? In many ways, this conversation revolves around shooters picking up cameras or gear that at the end …
What is the best camera in Hollywood? It’s a great question and if we are going to try and answer it we might as well narrow it down to …
ARRI just dropped their next-generation Super 35mm camera – the ALEXA 35. This is a huge deal. The biggest news of this launch is that ARRI is using the …
ARRI has just announced the latest generation of their iconic ALEXA lineup. The ALEXA 35 sports a brand new native 4K Super 35 sensor which produces stunning 17 stops …
As tech pushes forward, it is only natural that the last-gen just get cheaper and cheaper. That doesn’t mean they aren’t good. One thing for those interested in cinema …