Tag: ARRI
Earlier this week, ARRI has announced an update to their Trinity and Artemis Camera Stabilizer systems, which look to be a from-the-ground-up refresh. The new modular design promises smoother …
One camera manufacturer absolutely dominates professional film productions: ARRI. They have been doing it since the film days and with their ALEXA series have continued to show their skills …
ARRI has always nailed its color science. It’s one of (many) reasons why professionals turn to high-end ARRI systems for their productions. Most of us aren’t going to be …
Let’s check out the difference between the top dog ARRI ALEXA Mini LF and some of the more everyday options – the Sony FX3 and Canon EOS C70. There …
In a series that will never end, we now have a side-by-side comparison between the Canon EOS C70 and the ARRI ALEXA Mini LF. Or, to put it another …
As much as we can come out and say that most filmmaking is not about the gear, we have to also admit that a tiny bit of it is …
Anyone who has looked at a list of the top cameras used on professional cinematic productions will see that ARRI is always present – and a big presence at …
We talked about the ARRI look a few times here – especially how to mimic it with various cameras. Today, the camera to check out is the Sony FX6 …
ARRI has done very well with the ALEXA system. Now over 10 years old, the ALEXA Classic still finds homes with enthusiastic cinematographers who love the quality of image …
Everyone wants ARRI colors. It’s probably the most talked about and emulated color throughout filmmaking. I mean, it’s one of the big reasons that ARRI cameras are chosen for …
Something that isn’t super well known is that ARRI’s much-loved ALEXA and ALEXA Mini – which continue to be industry staples – do not actually record in 4K resolution. …
The mighty ARRI ALEXA Mini LF just became a more versatile tool than ever with the latest Software Update Package 7.0. The camera can now shoot in a wide …
Cinema may have moved (mostly) past the film vs digital debate, but that just opened the door for a new one: ARRI vs RED. These two giants of the …
Looks like we have another camera comparison involving a very affordable option against an industry titan. It’s a great sign of the times – there are too many excellent …
Fabled ARRI colors are what many cinematographers dream to reach with their footage. Unfortunately, unless you have some serious cash or are fortunate enough to work on serious productions, …
Smartphones are some of the fastest improving cameras on the market – it certainly helps that millions more are sold compared to cinema cameras. The iPhone 12 is actually …
A special fact about the spectacular image sensors that power the ALEXA, ALEXA LF, and the ALEXA 65 is that they are all exactly the same. Despite the size …
Considering the flood of camera announcements this year it should come as no surprise that there is a near endless stream of side-by-side comparisons taking the new system and …
High-Density Encoding (HDE) seems to be the latest technology developed by Codex in collaboration with ARRI which essentially minimizes ARRIRAW file sizes by around 40%. All in all, an …
For years we have seen companies jump into the cinema camera game with affordable, yet feature-rich products. Z CAM is one of the latest to really take off with …
