ARRI Archive
In response to the increasing power consumption by cameras prompted by the need for more internal processing, established 12 Volt systems can no longer cope with the demand for more juice according to ARRI. In order to meet the increasing power demands of camera and lighting systems
We all kinda knew this was bound to happen at some point sooner or later. Well, it happened sooner than expected to some – ARRI just announced the ALEXA MINI LF and expanded their large format camera family by putting the full-frame+ sensor from the ALEXA LF
ARRI have announced a new WVR-1s compact wireless video receiver that has been specially designed to be used hand-held focus pullers and as a companion to compact handheld director monitors. With the announcement of the WVR-1s ARRI expands its Wireless Video System – WVS range and strengthens
Comparing the ARRI ALEXA Mini and the Canon C200 might seem a little unfair given the massive price difference but in my view, it is actually a really interesting test. They have a similar size and weight bodies, similar form factors and are both promoted towards solo
ARRI have announced the immediate release of Software Update Package LF SUP 4.0 for the ALEXA LF camera. This firmware update provides significant new features for anamorphic shooting, advanced features such as improved dynamic defect pixel correction, compatibility with ARRI LBUS accessories, and important bug fixes. Rental
ARRI and Angelbird have just come up with another enticing product for seasoned professionals predominately shooting with the ARRI AMIRA and ALEXA Mini cameras. The ARRI Edition AV PRO AR 256 CFast 2.0 card has been designed and certified for use with these specific models and can be utilized
ARRI has announced the availability of the new Software Update Package LF SUP 3.0 for their top-dog ARRI ALEXA LF 4K+ camera. LF SUP 3.0 provides new features, as well support for new hardware, such as the brand new ALEXA EVF-2, and includes important bug fixes. Although
Now that the new “true 4K” ARRI Alexa LF digital cinema camera is shipping to rental houses and production companies we are starting to see some tests and footage shot with the newest “large format” beast that ARRI unveiled earlier in the year at the BSC Expo
So, you may recall the ARRI CPO program that ARRI launched a few months back to give up and coming DPs an opportunity to own arguably the measuring stick camera in the world of cinematography – the ALEXA Classic and some of its later models all while
In mainstream professional filmmaking, RED and ARRI are inarguably synonymous when it comes to high-end cinema camera systems. Back in March, however, Chinese-based budget camera maker Kinefinity introduced the MAVO, a Super 35mm cinema camera aimed to provide professional grade footage at a fraction of the cost
ARRI unveiled the ALEXA LF at this year’s BSC Expo in London in addition to a brand new lineup of large format cine lenses known as the ARRI Signature Primes. I remember these two announcements caused quite a stir and were the talk of town during the
I bet a lot of you are familiar with the Zeiss LWZ.3 or as it is probably more widely known – the Zeiss 21-100mm T2.9-3.9 lightweight zoom. For many documentary shooters equipped with a Sony FS7, C300 II or ARRI AMIRA, the Zeiss LWZ.3 is a standard
Ever since its unveiling earlier in the year at the BSC Expo in London, the new ALEXA LF has been getting the attention of industry personnel in both high-end production as well as rental houses looking to capitalize on the “large format” trend in modern cinematography. Whether
If you are an ARRI Amira owner operator, but have always lusted for the Alexa MINI’s ability to shoot ARRIRAW wishing your AMIRA camera did the same – ARRI just granted your wish. In a very surprising move, earlier today, ARRI announced the company is enabling owners
As the latest ARRI ALEXA LF starts to make its way to market, rental houses and big production companies, who’ve invested (or are about to invest) into the latest and greatest native 4K camera that ARRI has made, important considerations such as lenses, workflow and power requirements
Have you been saving your lunch money since high-school? Been doing some Spring Cleaning on ebay? Ever wanted to by an ALEXA camera, but just didn’t have $50K laying around? Well, if you are in the business of shooting moving pictures for a living, then you must
In collaboration with ARRI and by following the 256 GB Extreme PRO CFast 2.0 memory cards, SanDisk just introduced the custom ARRI Edition 512 GB Extreme PRO CFast 2.0 Memory Cards for AMIRA and ALEXA Mini. By doubling the recording time, these cards seem to be the
We’re continuing our NAB 2018 coverage with more updates on the lighting side of things with the latest update from ARRI and their Skypanel Firmware Update 4.0, which adds even more versatility and new features to an already impressive LED lighting range. The ARRI SkyPanel Firmware update
Introduced around the early 1950s, anamorphic lenses have become a staple in the filmmaking industry in achieving a vintage yet still contemporary film look that can help elevate modern-day digital video into footage reminiscent of film’s past. A recent video produced by seasoned filmmaker Tom Antos goes
Not that long ago Pomfort, a leading provider of professional software solutions for digital media assets and colour management on the film set, launched their new iOS app: PocketControl for ARRI Cameras. And since modern digital cinema cameras are basically computers with sensors (well, maybe there’s a
