Atomos Archive
Announced at IBC 2019, Atomos has just released the latest AtomOS 10.3 for Shogun 7, a free firmware update that “super-charges” the Shogun 7 panel to a mind-numbing 3000nit peak brightness (+/- 10%) for improved dynamic range on-screen in both HDR and SDR. This update is also scene
Announced at Cine Gear, the Panasonic S1H set the bar for high echelon full-frame mirrorless cameras that are serious about the professional video crowd. With headline heavy specs such as 4K 10bit 4:2:2 and 6K full-frame capture, the S1H got a lot of peoples attention at the
Atomos has some more news and upgrades for this 2019 edition of IBC in Amsterdam. The monitor/record specialist Atomos today unveiled a new chapter in screen technology with the unveiling of a super bright 3000nit free upgrade to the 7” HDR Shogun 7. Announced earlier in the year
Atomos today announced a permanent price reduction on their widely popular Shinobi and Shinobi SDI 4K HDR Monitors. After announcing support for 16bit raw out of the newly announced Sony PXW-FX9 full-frame camera, Atomos has made their most affordable monitor, even more affordable. Effective immediately, the Atomos
The Sony FX9 will eventually output a 16bit raw signal somehow, and it didn’t take long for Atomos to announced they will support this raw signal. Just hours after Sony unveiled their groundbreaking new FX9 today at IBC, Atomos announced 16bit RAW support from this new camera
As hinted during yesterday’s launch presentation, the Panasonic S1H is getting full-frame RAW over HDMI in the near future. This was confirmed earlier today by Atomos, who announced their co-development with Panasonic for RAW over HDMI from the brand new Lumix S1H to the Atomos Ninja V
Atomos recently released firmware update 10.1 or AtomOS 10.1 for the Ninja V. The update adds important new functionality such as support for the AtomX SDI module, which expands the Ninja V connectivity to also include SDI (in addition to the already built-in HDMI into the Ninja
Chances are none of us are ready for 8K, (hell, I am not even ready for 4K) but regardless, the industry is pushing 8K (and full-frame) like it’s the greatest thing since sliced bread, so strap yourselves once more, this will be a bumpy ride. All poor
At the ongoing Cine Gear 2019, Atomos has introduced a brand new line of HDR monitor-recorders all with true 10-bit displays and a myriad of professional features. NEON series consists of four different units (17-inch HD, 24-inch, 31-inch, and 55-inch 4K HDR field monitors) primarily designed for
Let’s have a look at a couple of external monitors, shall we? The head-to-head between the Atomos Shinobi and the FeelWorld FW279 starts here! The first question to ask – do you need an external monitor? There are a bunch of reasons to invest in an external
We’re nearly half-way through 2019 and I don’t know about you, but to me it already feels like trade show overload. Now that we got the big one – NAB out of the way, and before we start the countdown to IBC 2019, which is a good
Ever since its worldwide unveiling a year ago, ProRes Raw and industry-wide adoption has been one of the most discussed topics in the post-production world. NAB 2019 came and went by very quickly, but in the midst of lenses and camera announcements, a few post-production companies –
Global stock footage video marketplace Pond5 recently announced their plans to create a new collection of royalty-free licensable video footage shot with Apple’s recently released ProRes RAW codec. Filmmakers working with cameras or gear that can capture high resolution and high quality ProRes RAW footage — such
It’s pre-NAB 2019 week, so the announcements just keep pouring in. We will be continuously updating the website in the next few days to update you on the latest NAB 2019 announcements. Atomos just announced a new AtomX accessory module – the AtomX SDI module for Ninja
UK production company Wise Guys recently teamed up with Atomos and Panasonic for a short film, shot on-location in just two and a half days with minimal cast and crew. “Tuning” was shot on the Panasonic S1 in Hybrid Log Gamma (HLG) profile in 4K 10bit 4K
The Canon EOS R is a tricky camera. Much maligned on release, largely due to the hefty crop factor when switching into 4k mode and the lack of good slow motion, it has now found some influential proponents online. Now that it is pairing with external recorders
Just weeks after announcing the budget-friendly Atomos Shinobi 5-inch HDMI on-camera monitor, and days before the start of NAB 2019, Atomos just introduced a 3G-SDI capable version of the Shinobi, simply called Shinobi SDI. Priced at $499 upon launch, the new Shinobi SDI model retains the same
Colour subsampling is an oft-quoted but frequently misunderstood spec on the camera bio. It is regularly shown in line with the camera resolution, bit depth, and frame rate – but does it deserve such prominent billing? In this video, Gerald Undone compares the Sony A7III internal and
The inaugural Video Show 2019 is for all video creators from aspiring documentary filmmakers to wedding videographers and commercial film professionals! The Video Show makes its debut at the NEC in Birmingham, UK from 16-19 March 2019. The Video Show has been created to inspire a growing
Atomos are famous for their industry-leading external recorders most of which double as external monitors. Ninja V has already made a huge splash in the industry with its compact and lightweight form factor, 10-bit IPS touchscreen display, and excellent recording capabilities. Now, along comes the Atomos Shinobi
