Tag: ARRI
Lately it seems like the ARRI ALEXA Classic is making a comeback with independent filmmakers. We have covered using it, purchasing it, and even comparing it to modern cinema …
It doesn’t seem like we will ever escape the ARRI vs RED debate. I’m not complaining though. ARRI and RED being competitive is good for the industry and should …
It isn’t often that ARRI announces a new camera system but everyone needs to pay attention. The ALEXA 35 marks a generational leap in functionality and image quality for …
The original ARRI ALEXA is still a beast of a camera and that is proven by how it currently goes for 5 or 6 thousand dollars in auctions. Or, …
ARRI is using smarter, computer-controlled lighting to give filmmakers even more capabilities. And with the issuing of an update to the ARRI Lighting OS (LiOS2), this capability will enable …
It’s never the gear that makes the movie. Right? Maybe a little? In many ways, this conversation revolves around shooters picking up cameras or gear that at the end …
What is the best camera in Hollywood? It’s a great question and if we are going to try and answer it we might as well narrow it down to …
ARRI just dropped their next-generation Super 35mm camera – the ALEXA 35. This is a huge deal. The biggest news of this launch is that ARRI is using the …
ARRI has just announced the latest generation of their iconic ALEXA lineup. The ALEXA 35 sports a brand new native 4K Super 35 sensor which produces stunning 17 stops …
As tech pushes forward, it is only natural that the last-gen just get cheaper and cheaper. That doesn’t mean they aren’t good. One thing for those interested in cinema …
With the promise of better dynamic range from its upgraded ALEV 4.6K CMOS sensor, the next generation Super 35mm ARRI Alexa promises to bring Cinematography to “unprecedented heights.’ ” …
Earlier this week, ARRI has announced an update to their Trinity and Artemis Camera Stabilizer systems, which look to be a from-the-ground-up refresh. The new modular design promises smoother …
One camera manufacturer absolutely dominates professional film productions: ARRI. They have been doing it since the film days and with their ALEXA series have continued to show their skills …
ARRI has always nailed its color science. It’s one of (many) reasons why professionals turn to high-end ARRI systems for their productions. Most of us aren’t going to be …
Let’s check out the difference between the top dog ARRI ALEXA Mini LF and some of the more everyday options – the Sony FX3 and Canon EOS C70. There …
In a series that will never end, we now have a side-by-side comparison between the Canon EOS C70 and the ARRI ALEXA Mini LF. Or, to put it another …
As much as we can come out and say that most filmmaking is not about the gear, we have to also admit that a tiny bit of it is …
Anyone who has looked at a list of the top cameras used on professional cinematic productions will see that ARRI is always present – and a big presence at …
We talked about the ARRI look a few times here – especially how to mimic it with various cameras. Today, the camera to check out is the Sony FX6 …
ARRI has done very well with the ALEXA system. Now over 10 years old, the ALEXA Classic still finds homes with enthusiastic cinematographers who love the quality of image …