One of the less known features of Blackmagic Design’s DaVinci Resolve is the ability to stabilize shaky footage. Some people are seriously questioning whether the Stabilizer in Resolve performs as good as the Warp Stabilizer in Premiere Pro, for example, however if you’re on the rush, and DaVinci Resolve is your only available option for the moment, this feature is worth trying.
Imagine a situation where you are with a client behind your shoulder, reviewing the color grading you’ve already done and suddenly you stumble upon a shaky footage. In the following tutorial, the filmmaker and colorist Alexis Van Hurkman will show us how to use DaVinci Resolve’s Stabilizer to remove some annoying wobble from your footage.
Image stabilization processing in Resolve consists of three easy steps. The first step is analyzing the clip; the second is choosing the stabilization settings you want, and the last one is clicking the Stabilize button to calculate the result. As with Object tracking you can choose which aspect of motion to stabilize, but this step must be done before the initial image analysis is done.
To access the Stabilizer, you should navigate to the Tracker palette. There is a second mode in the drop down menu where you can find the Stabilizer. Turn off any of the Analyze check boxes that correspond to axes that you don’t want to smooth. Inside the Tracker palette you need to push the Track forward button, thus Resolve will automatically analyze the whole shot. After the process is finished, the analysis of the clip will appear in the Tracker palette. Each line of the analyzes corresponds to the different settings of the stabilizing process such as pan, tilt, zoom, and rotation.
To fine tune the results from the stabilization process you will need to change the Strong and Smooth settings in advance. Both parameters control the overall process and dictate how much stabilization is applied to your clip. You can check Zoom to eliminate the black edges that may appear as a result of the repositioning of the image to reduce the unwanted camera movement. After the analyzing has been completed and you set the stabilization settings, you should go to the beginning of the clip and press the Stabilize button in the bottom left corner of the Tracker palette.
Supposing the blanking artifacts introduced at the edges of the frame are still there, you can easily remove them in the Sizing palette as well. You can manually zoom to get rid of the blanking in the frame and achieve the desired result. Whenever you make changes to the Stabilization Settings, you need to click Stabilize again to recalculate the result to your clip.
This simple technique will eliminate the need to use another NLE such as Adobe Premiere Pro or Apple’s Final Cut X to stabilize a single clip in particular situations. Even though DaVinci Resolve is known for its superb color correction abilities, this above example is another unambiguous proof that the platform is also designed to be an extremely powerful editor providing a plethora of powerful editing assets as well.
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