BMCC 2.5K Archive

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Canon C-Log and Technicolor CineStyle: The Case Against 8-Bit Log

For some time now, cameras the likes of the ARRI Alexa and Blackmagic Cinema Camera have offered their customers higher bit-depths and stronger color-sampling than Canon has put out with their popular EOS line. 10-bit 4:2:2 recording in-camera, 12-bit 4:4:4 recording in-camera, enough latitude and color space

Detail Comparison – BMCC 2.5K vs. BMPC 4K

The so-called “DSLR revolution”, started by pure accident from Canon, democratised the film industry irreversibly about five years ago. They were the first to put affordable tools in the hands of tens of thousands of indie filmmakers all over the world. Furthermore a few years later, Blackmagic Design