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At IBC 2017 Teradek are showing off their enticing iOS monitoring solution SERV Pro aiming to solve one of the most frustrating problems that small crews and solo shooters need to tackle in the field when it comes to proper video monitoring in real-time. Designed to be used
Hours of tedious compositing have gone by and after having navigated the Adobe-branded world of masks, layers and effects, you’re finally ready to display all your hard work. Although, there is one final step before you can start sharing your project with others. Somewhat overlooked at times,
For many Apple FCP/Compressor users who already made the switch to Premiere Pro CC/Media Encoder getting the optimal render settings out of the Adobe software can still be a challenge. The overall workflow in Compressor seems to be more intuitive and straightforward. The Adobe Media Encoder, on the other
Final Cut X and Adobe Premiere Pro are formidable editing software solutions that are a favorite “go-to” choice for the majority of the indie filmmakers. Still, there is a debate going on which one of the platforms is better. Many FCP 7 users switched over to Premiere Pro after the severely
