Search Results for: color grading
This is just one last reminder that our Black Friday Special Sale in collaboration with Alex Jordan of LearnColorGrading.com and Filmsimplified.com is coming to an end in less than 24 hours! In other words, this is your last chance to grab the all-new Ultimate DaVinci Resolve Course Bundle packed with DaVinci
Working with curves inside DaVinci Resolve 15 can be a pretty daunting task, especially for novices who are just starting out. Due to the sensitive nature of the tool, it’s very common for some folks to accidentally take their adjustments too far, resulting in video that looks
Just in time for this year’s Black Friday, seasoned colorist Alex Jordan of LearnColorGrading.com and FilmSimplified.com is back with another enticing offering for all aspiring content creators out there who want to dip their toes into professional color grading and video editing with DaVinci Resolve 15. The all-new Ultimate DaVinci
Unless you’ve been living under a rock lately, you’d know that Adobe has released a major update to all Creative Cloud applications not that long ago, including Premiere Pro CC. In this update, the leading software company aims to have added features that make the editing experience
One of the hallmark features of the Panasonic GH5 is its ability to capture proper 10-bit 4:2:2 footage internally. What’s more, there are two options you can opt for – either LongGOP 150Mbps or ALL-Intra 400Mbps. Generally, you may assume that because ALL-I records at a higher
While the latest version of Premiere Pro CC is packed with several fantastic new features, the most notable update happens to be the vastly increased capabilities of the Lumetri Color Panel. In the latest 2019 update, Adobe has included five new Hue/Saturation curve adjustments to help creative
When it comes to editing 8K RED RAW footage, it’s a common misconception that you need an extremely powerful editing workstation equipped with 8 or more cores, 64GB of RAM, the fastest and largest capacity SSDs as well as a top-of-the-line graphics processor to get the job
Even though there are at least a dozen high-end professional cinema cameras available to filmmakers nowadays, many cinematographers would agree that the ARRI’s highly esteemed ALEXA lineup is inarguably the best in the industry, used by many seasoned professionals from independent projects to multi-million Oscar-winning masterpieces and
Color grading video captured with Sony’s proprietary picture profiles can be pretty hectic, especially for new editors. This is mainly because both S-Log and Cine4 produce extremely flat-looking footage that requires a decent amount of time to process in post. However, when it comes to grading clips
If you’ve been walking around Hall 12 at IBC 2018 you’ve probably noticed a new Netflix logo that a few manufacturers have placed around their booth proudly announcing they are part of a new initiative. I saw the new Netflix Post Technology Alliance logo at the Canon
Out of the blue, Blackmagic Design just announced the public beta of Blackmagic RAW, a new proprietary codec that combines the quality and benefits of RAW with the ease of use, speed and file sizes of traditional video formats. Blackmagic RAW is a more intelligent format that
For another year in a row ahead of IBC in Amsterdam, Adobe unveils a multitude of new video features to Adobe Creative Cloud applications that aim to speed up production timelines, enable more seamless workflows and deliver powerful capabilities to content creators all over the world. The
Besides the Sony A7R III, the A7III is just the second mirrorless camera in the Alpha series lineup that comes with Hybrid Log Gamma (HLG) – a picture profile alternative to the widely used Cine4 and S-Log profiles. Promising to deliver improved dynamic range and better color reproduction,
Those of you who already got the chance to join some of the best-selling courses produced by the experienced colorist Alex Jordan from Learn Color Grading and FilmSimplified should know well the incredible value these products provide for the money. Now, the seasoned professional is offering another chance
The masking tool – initially found in After Effects – is still one of the most powerful and versatile assets available in Premiere Pro CC. Having the ability to isolate areas of your footage has aided post-production workflows, unlocking more advanced color grading practices and making simple
Blackmagic Design today announced that the full release of DaVinci Resolve 15, its industry standard professional color grading software that has expanded well beyond its initial purpose, quickly becoming a one-stop-shop for editing, visual effects, motion graphics, color correction and audio post production software, is now available
Many filmmakers would agree that one of the most intimidating aspects of color grading would be retaining accurate, beautiful-looking skin tones. As you start adding on various LUTs, curves, and other color grading filters, it’s easy to get distracted, causing you to lose the natural appearance of
Even the average Joe will tell you that Sony’s S-Log color profile is regarded as one of the most versatile to use in filmmaking. With the great degree of color data gathered, coupled with generous dynamic range, shooting in S-Log 2 or 3 is a very common
Over the years, DaVinci Resolve has evolved into both a powerful color grading application and feature-packed NLE with all the bells and whistles one might ever need. In fact, the software has matured to the point where some Final Cut and Premiere Pro users have switched to
S-Log is known as the most widely used color profile among Sony camera users. No matter which flavor is being used – S-Log 2 or S-Log 3 – the image detail obtained with the camera setting allows for maximum post-production flexibility while providing enough room for multiple
