As 2014 nears it’s end, we find ourselves 10 years out from the development of the first 4K digital cinema camera, the RED One. Where RED started, all else have continued. As with any new technology, the cameras have gotten more powerful and less expensive as time
5D mark III Archive
A few days ago the guys at Film Cyfrowy shared Part IV of their “12 Cameras Test” which features comments by a professional colourist. Their 12 Cameras Test compares 12 of the the most popular digital cameras in an attempt to find out how each camera captured reality in relation
Earlier this week, we showed you the massive 12 Cameras Test which compared colour graded footage shot in 6K/4K/2K/1080p from 12 of the most popular cameras for professional film, TV, and commercial/music video production. The test was split into two sections – first blind footage from all cameras
It is quite exciting to be a filmmaker these days! We were eager to see how far the DSLRs would go in terms of affordability and features, but they already have some serious competition from smart phones. On the other hand, the mobile phone technology is catching
Shooting a professional video with your mobile phone was unthinkable and sounded ridiculous a decade ago. It was far-fetched even 5 years ago. Today, we have expensive corporate videos of premium companies like Bentley Motors, who recently shot an advertisement for one of their latest luxury cars with a bunch
The folks at Cinema5D put the Sony A7s low-light monster through a thorough dynamic range test against industry heavyweights – ARRI Amira, newcomer – Panasonic GH4, and field-proven – Canon EOS C300, Canon 5D mark III and Canon 1DC DSLR. They call this test – the Cinema5D Lab test.