Author: Shawn Steiner
Looking at what was upgraded with the RED KOMODO-X it seems like the perfect balance between the original KOMODO and the newer DSMC3 camera systems. An upgraded Super 35mm …
You will almost never know enough about your favorite NLE. Part of that is because they are adding new features all the time. The other reason is simply that …
RED solved one of the biggest issues with their system with the release of the DSMC3 series – being able to pick it up and shoot straight out of …
A few months back we took a look at how the Panasonic S5 II stacked up against the Sony a7 IV. It did hold up very well. However, we …
AI tools are here to help. Nearly every common piece of video editing software now has some degree of AI integration at this point though perhaps the most eye-catching …
Kinefinity got a good start with cinema cameras by giving them features closer to that of a RED while pricing them like a high-end mirrorless camera. Now, with the …
Finally, Sony has taken the new tech found in the FX30 and used it to make a new flagship APS-C mirrorless – the a6700. The only problem now is …
We’ve talked about how to speed up your editing in Resolve using AI tools already so now it is time to look at some of the new AI features …
The Canon R8 is a solid full-frame offering from Canon that fleshes out the middle of their mirrorless lineup. With 4K 60p recording and a 24MP sensor it is …
RED kept a lot of the great things about the original KOMODO and made some things even better with the release of the KOMODO-X. One of the more significant …
One of the surprising releases this year was a cheaper, vlogging-oriented camera from Sony that featured the same sensor and, theoretically, image quality of the a7S III and FX3. …
Sony has a lot of lenses. There’s definitely too many for anyone to actually get all of them, not that anybody actually needs all of them. What you do …
Now that Apple has completed the transition to its own silicon we have a complete and updated lineup to check out. For video editors looking for their next desktop …
Just because you have a camera that is supposed to be one of the best in low-light situations it doesn’t mean you are immune to noisy footage. Good technique …
The ARRI ALEXA is still the gold standard of cinema cameras. Much of that is simply because of the image—not just because of quality, but because of the color …
Sony has made good use of the phenomenal full-frame sensor found in the FX6 and a7S III. The FX3 was the next one to see it and now there …
I remember when DaVinci Resolve was just a niche software for advanced color grading work that most people never touched. Now it’s a full-fledged NLE with an entry price …
When we started using compact mirrorless cameras for video we quickly found that the portable power solutions used for them was lacking. Easy to carry around and fit in …
Raw 8K video at up to 60 fps all internal. Those are specs of some top-tier cinema cameras. Which is why it is so surprising that it is also …
Per the relatively new player AXIBO, the PT4 System is “the pinnacle of motion control technology.” That’s quite a claim. It’s a good sign then that some well-known reviewers …