Check Out This Dope Stabilization Hack in Premiere Pro
Much of the pain from shooting handheld comes from trying to stabilize it in post. Either you ended up with too much shake and need to smooth it out …
Atomos Introduces 5.8K and 4K ProRes RAW External Recording to the Z CAM Cameras
It seems that Atomos has been crushing it lately. The company has just enabled 12-bit 5.8K Apple ProRes RAW over HDMI recording on the Z CAM lineup of cinema …
10 Things That Make RED Cameras So Special
Red Digital Cinema cameras started a revolution in the film and video world when they were introduced in 2007. They entered a market that was completely dominated by the …
Fujifilm GFX100 to Record 12-bit 4K ProRes RAW with the Ninja V
After the introduction of RAW recording over HDMI on the Sigma fp last week, today Atomos are announcing the implementation of the same functionality on the Fujifilm GFX100 as …
Z CAM E2-M4 ProRes RAW Workflow and Sample Footage
ProRes RAW has become an extremely popular raw option for many affordable cinema cameras. The latest to receive the treatment is the Z CAM E2 and the more recent …
2020 16″ MacBook Pro for 8K Video Editing!
Apple has recently updated the 16″ MacBook Pro with a flashy, new AMD Radeon Pro 5600M graphics card with 8GB of HBM2 Memory. This new upgrade is offered for …
7 Essential Color Grading Styles Every Filmmaker Must Learn
Color grading is no longer just for editors and colorists. Many filmmakers are getting into the editing game and, in my opinion, it helps so much as a filmmaker …
How To Speed Ramp Interpreted Footage in Premiere Pro
Modern stylistic editing is all about playing with space and time. Slow motion footage can really draw an audience’s attention to important key moments in your story, evoke emotions, …
Check Out These Dope Spotlight Tips and Tricks
The Aputure 300 series are possibly some of the most versatile light fixtures for filmmaking on the market today. With the inclusion of a Bowens mount, Aputure has given …
Atomos Enables ProRes RAW Recording Up to 120fps on the SIGMA fp
Atomos and Sigma have just introduced RAW recording over HDMI with the Sigma fp mirrorless camera and Atomos Ninja V HDR monitor-recorder. After Nikon, Panasonic, and Z Cam, Sigma …
Canon C200 Internal 8-bit vs ProRes Recording
When Canon launched the C200 many people were shocked. It came in at an affordable price, yet it had a true cinema-styled body design and the ability to record …
Dell XPS 15 9500 vs MacBook Pro 16 for Video Editing
The Dell XPS 15 9500 and the MacBook Pro 16 are two of the most powerful, most portable laptops that you can use for professional video editing. But which …
How to Build a Kick-Ass Remote Workflow for Filmmakers
So, you’re taking on a remote project. Maybe this is your first one, or maybe you’re just looking for ways to make your remote filmmaking workflow more effective. As …
RED Komodo Sample Footage Available for Download
Red Digital Cinema has been slowly releasing glimpses of its upcoming Komodo 6K camera for about a year now. The seemingly endless teasing has ratcheted up everyone’s anticipation for …
Venus Optics Announces Three New Ultra Wide Cine Lenses
Venus Optics just unveiled three new ultra-wide cine lenses including the Laowa 7.5mm T2.1 Cine for Micro Four Thirds, Laowa 9mm T2.9 Zero-D Cine for Super 35 and the …
Make Your Pocket 4K and 6K Footage Look Like an ARRI ALEXA
A lot of praise has come to Blackmagic Design’s Pocket Cinema Camera lineup, especially since the release of the 4K and 6K models. Much of that has been because …
Report: Canon to Announce EOS R5, EOS R6, and 6 RF Lenses on July 9th
The camera rumor mill has been heating up to the extremes in the past few days with the latest report on Canon Rumors according to which Canon are about …
Fast and Easy Video Stabilization in DaVinci Resolve 16
Smooth, stable footage is the mark of professional filmmaking and applying stabilization to footage in DaVinci Resolve has never been easier than in version 16. There has always been …
DaVinci Resolve 16.2.3 Brings Native Canon 1D X Mark III and EOS R5 Support
Right on the heels of Adobe, Blackmagic Design has also brought native support of Canon 1D X Mark III and Canon EOS R5 footage to DaVinci Resolve which only …
Tokina atx-i 11-20mm f/2.8 Now Available to Pre-Order
Tokina has just announced the third member of its atx-i lineup joining the 11-16 f/2.8 CF and 100mm f/2.8 FF macro siblings. The Tokina atx-i 11-20mm F2.8 CF is designed …