4K Mirrorless Archive

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Panasonic LUMIX S1 and S1R Full-Frame Official Specs Announced

After making the announcement that they are entering the full-frame mirrorless market at Photokina 2018, Panasonic have just released the full specifications of its LUMIX S1R and LUMIX S1, 35mm full-frame mirrorless cameras. The new cameras are based on the L-Mount standard, which is native to the

Olympus OM-D E-M1X 4K Mirrorless Camera Announced

Rumoured for quite some time, Olympus finally unveiled their new flagship mirrorless MFT camera – the Olympus OM-D E-M1X. The new Micro Four Thirds top dog features an 20 megapixel chip, 5-axis in-camera image stabilization, integrated grip, which can hold two batteries, all wrapped in a weather-sealed

MOZA Air 2 Gimbal Included in the Nikon Z6 Filmmaker’s Kit

Gudsen MOZA, a world-leading brand in handheld gimbal stabilizers that many filmmakers are familiar with already, are proud to announce that the MOZA Air 2 is featured as one of the accessories for the launch of the Nikon Z6 Filmmaker’s Kit. With handheld gimbals being considered these

Fujifilm X-T3 4K Footage Collection Part 2

This post is sort of a Part 2, to my previous Fuji X-T3 footage post I did not that long ago (you can check it out here in case you didn’t), and I wanted to include a bit of a mixture between Fujifilm produced short films and

See Two Amazing Short Films Shot on the Fujifilm X-T3

Fujifilm recently announced the new Fuji X-T3, which has some very important features for video creators. The X-T3 is the mirrorless camera, which can record 4K/60p in a 10bit (4:2:0) HEVC H.265 codec internally onto UHS-II SD cards, a clear signal that Fujifilm are quite serious about

Core SWX Announces New Powerbase Edge, Ideal for Compact S35 4K Cameras

Core SWX, a popular maker of battery and charging solutions, announces two innovative battery power solutions aimed at the traditional broadcast market, the Hydracore 100 is Core’s first NiMH battery, offering owner/operators a travel-safe alternative. The Powerbase Edge is ideal for the Cine/DSLR sector and is 30 percent smaller than its