Tag: Full frame
Kinefinity’s Mavo Edge line has been rather silent since launching their 8K model last year. However, that’s all about to change with the new lower-end 6K Mavo Edge cinema …
After a lengthy wait, the Panasonic GH6 is finally here. It’s a bit later than expected (supply chain issues affect everything these days), but it looks quite good on …
Canon released an incredible low-light video camera that managed to fly completely under the radar – the ME20F-SH Multi-Purpose Camera. That name and a somewhat surprising Full HD resolution …
Anamorphic is a fun and distinct look that many videographers and filmmakers want to try out. Fortunately, a lot of anamorphic tools are coming down in price and that …
Weird and unique are not always great descriptions for new products. In the case of the DJI Ronin 4D that may have been the point as they made something …
It is a whole new world when it comes to cinema equipment. You can actually pick up cine lenses and cameras for a fraction of what they cost a …
For years the Sony a7 III was the king of hybrid shooters with no real competitor to match it. However, with the release of the Canon EOS R6 we …
Speed boosters came about to solve the problem of APS-C and smaller format cameras having a limited depth of field control and worse low-light performance than full-frame. It also …
The long-rumored and highly anticipated fourth iteration of the popular Sony A7 camera is finally here! Billed as an advanced hybrid mirrorless camera, the Sony a7 IV boasts a …
Shooting anamorphic is not as simple as just popping the camera in a designated “Anamorphic Mode” and hitting record. There’s knowing the optics, there’s actually understanding the workflow, and …
It’s a whole new world for cameras. The past few years have ushered in a practically endless release cycle with new models coming out constantly. Still, some of the …
Two of the “hottest” cameras in 2021 are the Sony FX3 and the Canon EOS C70. Both are newer compact cinema cameras that are relatively affordable. Plus, they have …
Just because you can get the latest and greatest full-frame camera for shooting video it doesn’t mean all your footage is going to instantly take on that “cinema” look. …
We almost can’t talk enough about picture profiles and log gammas. There’s a lot to talk about and they keep changing. Even when they don’t “change” they get slight …
Even your current best mirrorless cameras are limited in maximum frame rates. Take the Sony a7S III. Right now, the fastest frame rate you can get is 240 fps …
S-Cinetone coming to the Sony a7S III made this much-loved profile much more accessible. It’s a good option for getting a nice, pleasing image straight out of camera. On …
If you haven’t tried it yet, an external monitor will provide a life-changing experience for shooting video. Being able to get it positioned right where you want it and …
Sony has a complete Cinema Line at this point, going from the mirrorless-like FX3, to the compact FX6, then the pro-level FX9, and peaking with the cinematic VENICE. As …
Log is not easy to use. Every flavor of log is different, and I even mean that within the same brand. S-Log3 on the 10-bit a7S III is going …
It’s been a crazy year of announcements for the cinema world. The biggest change is how the compact options have been completely transformed and now there are a plethora …