SLR Magic Archive
Just like most established as well as newcomer manufacturers SLR Magic used NAB 2018 as a platform to launch their new family of CINE lenses – the MicroPrime series. The SLR Magic MicroPrime CINE 25mm T1.5, 35mm T1.3, 50mm T1.2, and 75mm T1.5 are the first lenses
Luke Neumann of Neumann Films recently posted a smashing short film entitled “Dies Somnum” shot on the Panasonic GH5 and SLR Magic Anamorphic lenses, and a thorough behind the scenes breakdown commentary of how he shot the film. Plus you can also download some of the original
NAB 2017 may be over, but there’s more exciting new gear that may very well be of interest to a lot of you out there. Lens manufacturers (and other camera accessories makers) are paying close attention to the rising popularity of Sony APS-C and full-frame mirrorless cameras
SLR Magic have been making solid and compact lenses for the Micro 4/3 system for some time, and despite expanding into bigger (but still relatively affordable) anamorphic and Cine style PL primes, have recently announced another MFT lens. The new SLR Magic 8mm f4 ultra-wide angle lens was officially
Budget cine lens maker SLR Magic have been on a roll this year announcing new lenses left and right. At NAB 2016 they announced some new sweet anamorphic lenses, and APO Prime lenses for PL cameras, and now at the height of CineGear EXPO in heart of
SLR Magic announced at NAB 2016 that the company will be adding two new lenses to their APO-HyperPrime lens range, which already includes the APO-HyperPrime 50mm T2.1. The two new lenses are – the SLR Magic APO-HyperPrime CINE 25mm T2.1 and the SLR Magic APO-HyperPrime CINE 85mm T2.1. According
The good people at SLR Magic have been working hard on supplying the indie filmmaking world with not just affordable and well-built lenses for video but also innovative accessories such as their Anamorphot series of anamorphic adapters. You may remember SLR Magic announced a trio of Anamorphic
SLR Magic are no strangers to the Anamorphic game. They do have a couple of Anamorphot adapters that mimics some, if not most, of the characteristics of true Cine Anamorphic lenses, and even already have a few 2x Anamorphic lenses for 4:3 sensors like the Anamorphic crop mode on
SLR Magic have been making waves in the budget cine lens realm for some time now. The company is well known for their excellent wide angle fast primes for like the SLR Magic 12mm T1.6 Hypeprime and even wider 10mm T2.1 Cine Hyperprime for MFT mount cameras as well as their
The new kid on the block among the cinema lens manufacturers SLR Magic are about to showcase a new set of prototype PL ANAMORPHOT-CINE 1.33x lenses along with MFT ANAMORPHOT-CINE 2x lenses on this year’s International Broadcasting Convention(IBC) taking place in Amsterdam. The SLR Magic PL glass will consist of 35mm T2.4
Apart from making some awesome manual lenses for filmmaking, SLR Magic also offer a 1.33x Anamorpic adapter dubbed the “Anamorphot” adapter already (designed for use with 16 x 9 sensors), and with word of the GH4’s latest 4:3 Photo mode setting allowing for more use of the sensor
For decades, anamorphic lenses have carried a mystique about them. There is a certain feeling of something special with anamorphic lenses and their inherent ability to compress an image vertically to make the most of your film, while still being able to produce a cinematic wide image,
Podcast 022 – New Sony FS7 Footage, SLR Magic 10mm T2.1 Hyperprime, Tascam DR-70D Audio Recorder, Our New Giveaway and Interstellar Experiment Posted by Ogy Stoilov November 10, 2014 In Episode 022 of the 4K Shooters Podcast, we discuss the The Week In Review – New Sony
