Tag: LUT
Usually the best way to minimize noise in your footage is to make sure you are setting up your shots properly before you hit record. This means using lower …
As you develop your editing skills you’ll have to start taking a closer look at color grading. Most people starting out simply use this step as a way to …
LUTs, aka Look Up Tables, are an essential part of the modern digital filmmaking workflow. They allow you to preview specific grades while shooting on location, they can give …
Setting up your camera(s) is one of the most important parts of being prepared and able to shoot quickly and effectively. Sony cameras especially since I think it’s fair …
ARRI has always nailed its color science. It’s one of (many) reasons why professionals turn to high-end ARRI systems for their productions. Most of us aren’t going to be …
Grading log footage isn’t always so much fun. Think about how many camera manufacturers are spending resources to develop picture profiles that don’t need any grading, like Sony and …
Making the jump to shooting in log is a huge step in any filmmaker’s journey. It requires learning a lot about the technical aspects of video production as well …
Raw video formats have done wonders for image quality in cinema cameras. And, now raw is way more accessible than it used to be – you can get a …
In a series that will never end, we now have a side-by-side comparison between the Canon EOS C70 and the ARRI ALEXA Mini LF. Or, to put it another …
Getting the “film look” is a much sought-after color grading technique and not one that is easy to pull off as one might think. Grading itself is quite difficult. …
The BS1H takes two already good ideas from Panasonic’s line of cinema cameras and blends them together into something new and interesting. We now have the power of the …
We have done a comparison between S-Log3 and S-Cinetone before, but it is worth getting another look at the differences and seeing some new footage. Coming from Matt WhoisMatt …
We talked about the ARRI look a few times here – especially how to mimic it with various cameras. Today, the camera to check out is the Sony FX6 …
Just when we thought that we had gotten a handle on S-Log2 and then S-Log3 we got another picture profile from Sony: S-Cinetone. Now available in more accessible cameras …
LUTs are a powerful color grading asset. They can get you from point A to point B with minimal effort and outstanding reliability. Even if you don’t want to …
Auto used to be a dirty word. Autofocus. Auto exposure. Auto anything was bad. Now we have software like DaVinci Resolve that actually promises to do some auto color …
Even though the Pocket 6K Pro comes equipped with a better and brighter tilting screen, it still may fall short of your exact requirements for your rig. Or, you …
Digital imaging today is a highly technical medium. We have gamma profiles, various encoding methods, LUTs, calibration tools, and more to sort out every time we hit record. In …
Newcomers to video might be shocked by the amount of monitor assists function many average screens and cameras come packed with. Beyond tools like waveforms and vectorscopes, there are …
Not having log profiles has been replaced as an issue with having too many log profiles to choose from. We are up to number 2 or 3 from some …