4K footage Archive
I’m sure that many of the raving RED fans won’t be very excited by this side-by-side comparison that puts the $50,000 RED Weapon next to an iPhone 7 Plus, but for the rest of us, it’s still interesting to see the results that US-based professional filmmaker Parker Walbeck got while using
Last week, Sony announced their newest addition to the FS line – the Sony PXW-FS7 II much to the surprise of many. The new model adds Rec.2020 colour space (which the higher-end PMW-F55 also features), the Electronic Variable ND from the Sony PXW-FS5, a locking-type lens E-mount, more
The Panasonic DVX200 seems to be a very divisive camera. Since Panasonic announced the camera sort of out of the blue at this year’s NAB Show in Las Vegas back in April, a discussion thread over at DVXUser.com has amassed a whopping 186 pages as of the time of
The Varicam 35 is Panasonic’s key and most high-end camera for digital cinematography. Aimed at high-end broadcast and big budget Hollywood movies, the Varicam 35 offers a modular design, 4K Raw, and high frame rates amongst a slew of other high end features and a modular concept. Panasonic
Announced to much fanfare back in April this year at NAB 2015 in Las Vegas, the Panasonic AG-DVX200 sports some unique features such as a 4/3 CMOS sensor and a 13x fixed zoom lens for the price of $4,195 / £3,400 – a rather interesting proposition combining
Less than a month ago Sony shook the 4K world again with the announcement of three brand new mirrorless compact cameras capable of shooting superb 4K video (and stills) internally the Sony A7R II, Sony RX10 and Sony RX100 IV. The freelance cameraman and editor Johnnie Behiri from Cinema5D already had
Just in time for the weekend we have some excellent footage submitted by readers of 4K Shooters. Ever since I owned my first BMCC and then subsequently shot my feature film with it, I fell in love with the Blackmagic colour and just the feel of their
While we wait patiently for Panasonic to grace us with the much demanded and highly anticipated V-log Lite gamma option firmware update for the GH4, regardless of whether its a paid upgrade or not, at least we can feast our eyes on some awesome new 4K footage
Only a week after the release of the Atomos Shogun we could see some superb 4K videos crawling the Internet already. The Shogun is not only an astounding 7′ 1080p monitor, but it can record 4K video on an SSD drive via HDMI which makes it the perfect
Samsung surprised many of us this year at Photokina, when they announced their first 4K mirrorless camera – the Samsung NX1. The new 4K offering from Samsung is yet another alternative to shooters who want to get into the 4K game for a very reasonable price of about $1,500,
Since the first clips of test footage surfaced online from the URSA, the camera has been gaining notice as a possible major player in 2015’s film and television production industry. With pricing akin to Canon’s C100 Mark II and features in-line with Sony’s F55, as well as
The Sony PXW-FS7 already attracted the attention of not just documentary style/ENG filmmakers, but also one-man band videography operators. With its excellent ergonomics and highly demanded features such as Super 35 CMOS sensor, and internal 4K recording using the robust XAVC codec the FS7 delivers a lot of bang for
Only a month after Sony released their first 4K XDCAM camera, the PXW-FS7, the device still generates a lot of buzz and interest among filmmakers as one of the highly anticipated 4K professional cameras hitting the market this year. I’m sure, there is a lot more to come in the next months
One of the biggest surprises at this year’s Photokina show was the announcement of the first 4K mirorrless camera by Samsung. The Samsung NX1 has some impressive specs such as Super 35mm sensor with the ability to shoot true DCI 4K video on vastly affordable media such
Back in April 2014, LA-based VFX artist, director and cinematographer Phil Holland, was invited by RED Korea, RAPA, and DVInside to conduct a RED workflow workshop in South Korea. The workshop focused on demonstrating the end-to-end UHD 4K Workflow using RED digital cinema cameras such as the RED
