As filmmakers, we are always eager to explore the world around us constantly looking for inspiring stories to tell. Finding new innovative tools and techniques that can help us …
The JVC LS-300 is a bit of an oddball camera – it has a Micro Four Thirds mount and a Super 35 CMOS Sensor! It’s a pretty unique combination, …
The Varicam 35 is Panasonic’s key and most high-end camera for digital cinematography. Aimed at high-end broadcast and big budget Hollywood movies, the Varicam 35 offers a modular design, …
HP’s desktop workstations have always been an integral part and a major asset for numerous seasoned professionals and post-production facilities around the globe and for a reason. The company’s popular Z-series lineup …
Announced to much fanfare back in April this year at NAB 2015 in Las Vegas, the Panasonic AG-DVX200 sports some unique features such as a 4/3 CMOS sensor and …
GoPro make some amazing cameras that enable everyone to capture their adventure and favourite moments as easy as pressing a button, but they don’t make it easy trying to …
Obviously, DaVinci Resolve 12 is a powerful software suite and an extremely efficient colour grading and editing solution, but before we jump on the next post-production technique I would …
It’s quite mind-boggling how far the modern technology has advanced over time. Only 10 years ago we were barely able to shoot any pictures with our mobile phones, now we …
Media management can often be a boring, tedious and downright confusing task for many. With the abundance of codecs, formats and colour gamma’s especially with Sony cameras, things can …
Here’s a camera test you don’t see every day – a massive 1 hour + camera evaluation that was put together by Radiant Images. The camera evaluation includes just …
Stabilization is still a challenge and an essential issue for many videographers and enthusiasts who prefer to shoot video with their smartphone, GoPro or another small compact camera. Sure, …
Without any surprises and as expected, today Red officially announced the latest entry in their professional cinema camera lineup – the RED RAVEN. The camera boasts similar capabilities of the …
If you recall about a month ago we told you about the new hand held gimbal stabiliser that FilmPower were working on called the Nebula 4200, which is to be the …
Ultra fast lenses for Micro Four Thirds cameras like the Panasonic GH4 and the BMPCC for example are highly sought after, but not often very affordable. There are other …
Filming aerials with your drone/quad-copter can be a funny and truly enjoyable experience, however if you don’t have a solid skill set, enough practice and a strict plan knowing in advance …
Speaking of smartphone filmmaking and utilising the iPhone in particular, the first app that comes to mind providing most of the essential features for more advanced control over video settings of …
If you recall, over the weekend we told you about the new entry level camera that RED are working on. The new camera is to be called RED Raven and …
The contemporary UAV technology has inevitably and irreversibly revolutionised aerial videography by taking the world of independent filmmakers and enthusiasts alike by storm. Yet, as any other relatively new piece of technology, …
Earlier today in somewhat of a surprise announcement, Asian lens manufacturer Samyang announced two new lenses designed for mirrorless cameras with APS-C and smaller sensors. The new cine lenses of …
Capturing the Northern Lights on camera in real-time has been a pipe dream for generations of filmmakers for more than a century or so. Fortunately, the technology reached the …
